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Entertainment Katrina Kaif-Vicky Kaushal share dreamy photos from Haldi ceremony: 'Shukr.Why Oct IIP came in at a 8-month low despite festive demand, strong GST numbers.'For some, priority is to cut ribbons': PM's dig at SP over Saryu canal project.He throws questions at us which are difficult to answer and encourages us to never accept defeat.” He goes hunting with words and alphabets. He is the man who wakes up after everyone goes to bed. In a world where everyone believes that there is no value for literary work in commercial cinema, he creates space to deliver a great song. He is the poet who creates his own space to bring surrealistic elements in his songs. As a director, I can imagine how gutsy he could have been to write a song like ‘Tharalirada Thane Vasantham Thana Darikirani Vanala Kosam’ in Chiranjeevi’s Rudraveena. He used powerful words, which are difficult to use in cinema songs. He is the poet who can make you excited to search for new Telugu words, and he is the poet who always strives to work like that. He is the man who made us believe that a song cannot only be written to be understood by the audience but a song can also be written to make the audience wish to understand it. I bought a Telugu dictionary to understand the meaning of the words of the song. The way he has induced a terrific conflict between the two brothers is the major asset of the film. Credit should go to Rajamouli for taking Indian films to another level with his mind blowing story telling. Because his song ‘Pragdisha Veniya Paina Dinakara Mayoogha Thanthrula Paina’ from Sirivennela made me realize that dictionaries in Telugu exist. The costumes, drama showcased and performances are a first of its kind in Telugu films. In his speech, Trivikram said: “My energy and vocabulary are insufficient to describe the poetry of Seetharama Sastry.